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ISSN: 0320-8095
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About
About
General information
Peer-reviewing
Editorial policy
Open access policy
Policy on Generative AI
Indexing
Contacts
Editorial
Editorial
Editor-in-Chief
Editorial board
Issues
Issues
Issues
All Articles
Articles by Authors
Author Center
Author Center
Conditions for reviewing the material
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S.F. Oldenburg’s “Description of the Caves of Qianfodong near Dunhuang”: The Manuscript Tradition
Lomonosov Oriental Studies Journal 2020. N 3. p.79–92
Bukharin M.D.
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41
The article studies the manuscript tradition of S.F. Oldenburg’s description of the caves near Dunhuang.
Two Models of Transregional Islamic Movements in South and Southeast Asia: Jamaat Tabligh and Jamaat-e-Islami
Lomonosov Oriental Studies Journal 2020. N 4. p.83–98
Koldunova E.V.
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34
The article compares Jamaat Tabligh and Jamaat-e-Islami as two models of transregional Islamic movements in South and Southeast Asia.
On Old and New Chinese Dictionaries of Chengyu Idioms
Lomonosov Oriental Studies Journal 2020. N 1. p.68–77
Su Muyuan
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36
The article compares older and newer Chinese dictionaries of chengyu idioms.
The Semantic Field of Buying and Selling Verbs in Modern Chinese
Lomonosov Oriental Studies Journal 2020. N 2. p.67–78
Timchishena E.A.
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34
The article analyzes the semantic field of verbs of buying and selling in modern Chinese.
The Judgment of Solomon in the Subtext of Vajiravudh’s Play “For His Child”
Lomonosov Oriental Studies Journal 2020. N 3. p.69–78
Kseniya B. Volkova
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35
The article examines the Biblical judgment of Solomon as a subtext of Vajiravudh’s play “For His Child”.
Paradise Garden or Battlefield: Kabul in Persian-Language Poetry of the Tenth to Eighteenth Centuries
Lomonosov Oriental Studies Journal 2020. N 4. p.68–82
Ekaterina O. Akimushkina
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38
The article examines images of Kabul as a paradise garden and battlefield in Persian-language poetry from the tenth to eighteenth centuries.
The Expression of Identity in Turkish Vocabulary
Lomonosov Oriental Studies Journal 2020. N 1. p.50–67
Napolnova E.M.
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32
The article analyzes the expression of different forms of identity in Turkish vocabulary.
Differential Object Marking and the Erosion of Ergativity in Western Indo-Aryan Languages
Lomonosov Oriental Studies Journal 2020. N 2. p.45–66
Liudmila V. Khokhlova
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32
The article examines differential object marking and the erosion of ergativity in Western Indo-Aryan languages.
Typical Errors in the Use of the Discourse Marker 的时候 deshíhou by Russian Learners of Chinese
Lomonosov Oriental Studies Journal 2020. N 3. p.56–68
Tao Li
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34
The article analyzes errors made by advanced Russian learners of Chinese in using the temporal discourse marker 的时候 deshíhou.
Keywords:
Chinese as a foreign language; discourse markers; 的时候; learner errors
The Noun–Verb Syntactic Shift in Ancient Chinese Texts
Lomonosov Oriental Studies Journal 2020. N 4. p.53–67
Anastasia D. Durymanova
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39
The article studies syntactic shifts between nominal and verbal functions in ancient Chinese texts.
The Sheikh al-Islam in Defense of Karagöz Theatre
Lomonosov Oriental Studies Journal 2020. N 1. p.39–49
Obraztsov A.V.
,
Suleymanova A.S.
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32
The article examines a sheikh al-Islam’s defense of Ottoman Karagöz shadow theatre.
The Image of the Tree in Kunwar Narayan’s Poetry
Lomonosov Oriental Studies Journal 2020. N 2. p.36–44
Lesik K.A.
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30
The article explores the image of the tree in the poetry of Kunwar Narayan.
The Development of Written Cantonese: The Initial Stage of Writing Yue
Lomonosov Oriental Studies Journal 2020. N 3. p.37–55
Yulia Dreyzis
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36
The article examines the early development of a writing system for Yue Chinese.
Metaphor in Turkish Presidential Discourse
Lomonosov Oriental Studies Journal 2020. N 4. p.37–52
Larisa V. Sofronova
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33
The article examines metaphors used in Turkish presidential discourse.
The Image of the Praised Woman in Classical Persian Panegyric Poetry and the Genre of Madh
Lomonosov Oriental Studies Journal 2020. N 1. p.25–38
Ekaterina O. Akimushkina
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33
The article examines the image of the praised woman in classical Persian panegyric poetry and the genre of madh.
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